In cinematography, it combines the relationships described from the protagonist to its environment. You use silhouettes to define the characters and situation. Like for example, the steam-encircled figure of Jesse James staring down a train which indicates proficiency, like the DEA Agents of Sicario stalking, guns raised, at dusk – urgency, and James Bond running against the burning backdrop of Skyfall – resolve and determination. There are many facets of the cinematography of Roger Deakins that make him one of the foremost directors of photography not just of his time but all-time, but if you had to select one as a signature of his aesthetic, undoubtedly that would be his frequent framing of characters in silhouette.ĭeakins has employed silhouettes to convey a broader variety of implications, including authority. And what do these films have in common? These films won the Best Cinematography Oscar in their respective years and which prevailed over nominated films from the master, Deakins. You need to hold your breath as you learn that he was the man behind the films: Legends of the Fall, The English Patient, Titanic, Crouching Tiger, Lord of the Rings: The Fellowship of the Ring, Slumdog Millionaire, Life of Pi, and Birdman. You might be wondering, what are his notable films? Silhouettes are the main visual aesthetic of Roger Deakins.
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